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Debemur Morti Productions

The Sublime

by YERÛŠELEM

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Arachosia
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Arachosia The review is in the name. An all-around great album, including the cover art. Favorite track: Triiiunity.
MK_Ultra
MK_Ultra thumbnail
MK_Ultra Hits, where Broadrick, specifically Jesu, misses. Solid record.
Sabrina-the-sticker-hoarder
Sabrina-the-sticker-hoarder thumbnail
Sabrina-the-sticker-hoarder Perfect blend of black metal and industrial. Favorite track: Babel.
Death & Technology
Death & Technology thumbnail
Death & Technology Mix heaving Godflesh guitars, latter-day Jesu beats, and Blut Aus Nord's queasy, dissonant leads in your pestle, and you've got the grinding, heaving, industrial beast that is Yeruselem's firstborn. Blood of Heroes would sound like this if their skeleton had been black metal and not dub.

Also, if Dehn Sora's involved (even just for the artwork), it's good. No one questions this. Favorite track: Autoimmunity.
Spoonbräu
Spoonbräu thumbnail
Spoonbräu Solid album in its foundations which succeed by its both oppressive and ethereal atmospheres, all sustained by a heavy and saturated instrumental. However, the project must be freed from BLUT AUS NORD to be able to fly with its own wings if it wants to assert itself fully of the Industrial etiquette.
spoonerium.com/yeruselem-the-sublime/ Favorite track: Babel.
eheuje
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eheuje ça porte bien son nom : c'est sublime
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1.
The Sublime 04:41
2.
Autoimmunity 04:31
3.
Eternal 05:15
4.
5.
Joyless 04:48
6.
Triiiunity 04:09
7.
Babel 04:34
8.
Reverso 04:59
9.

about

YERÛŠELEM is the newest entity created by Vindsval and W.D.Feld (BLUT AUS NORD).

First utterance ‘The Sublime’ is a world of interlocking miniatures, music in which a familiar centre has collapsed and been restructured into new forms, where ghosts are created by absence.

The project’s name speaks of an incalculable vastness of contemplation within: YERÛŠELEM’s sound is a congruent melding of powerfully bass-heavy Godfleshian clank and grind, the sacred ur-texts of Coil and Autechre, stark neo-gothic guitar leads with intimations of fusion, the freshness-into-fetid-air experimentation of back-end ‘90s Mayhem and Thorns, post-punk urbanity, psychedelic dreamgaze, subterranean industrial pulses and the crunching rhythmic crispness of modernist electronica.

Eternal searching has culminated in a new vocal and lyrical clarity which moves further towards communication than anything previously recorded by the pair. Is this spiritualism or lack thereof? Prayer or anti-prayer? Self-renewal from without or within?

With ‘The Sublime’ YERÛŠELEM have created a realm unreal and all too real, the definition truly undefined - the source as unfathomable as it ever was.

credits

released February 8, 2019

Vindsval : guitars, bass, voices, synths
W.D.Feld : industrial pulses, synths

Recorded and mixed by V. at Earthsound Studio
Mastered by Bruno Varea at Upload Studio

Cover art and layout by Dehn Sora.

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about

YERÛŠELEM France

YERÛŠELEM is the newest artistic entity created by BLUT AUS NORD mastermind Vindsval and longtime partner W.D. Feld.
Borrowing a great deal of influences, YERÛŠELEM creates a congruent melding of industrial metal, cold new wave, electronica, and post-punk as exemplified by their 2019 debut “The Sublime,” a meditative journey borne of sonic anodyne.
This is a musical experience without any limits.
... more

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